Globavend Launches First AI-Produced Micro Drama, Expanding into Rapid-Growth Digital Entertainment
Globavend Holdings Limited (NASDAQ: GVH), a company known for cross‑border logistics services, announced on June 30 2026 that it has released its first fully AI‑produced original micro drama, Buried Innocent. The series, created entirely through the company’s proprietary AI‑powered cinematic production platform, Imaginary, marks Globavend’s formal entry into the fast‑growing global micro‑drama market.
Buried Innocent is a suspense‑driven micro drama presented in a mobile‑first vertical format. The production used an end‑to‑end generative AI workflow that incorporated large language models for screenplay generation, AI‑assisted character design, storyboard automation, image‑to‑video and text‑to‑video generation, AI animation, voice synthesis, multilingual dubbing, automated editing and AI‑enhanced post‑production. The platform’s design aims to reduce production time and cost while enabling rapid localization and global distribution.
In addition to the AI‑produced series, Globavend released Kopi‑Kopi, an original live‑action micro drama. The two complete series are available on the company’s proprietary mobile streaming platform, Loomi: Short Drama, and on TikTok. Globavend plans to monetize its content through subscription, transactional video‑on‑demand, advertising, licensing and international content distribution.
The launch comes as the micro‑drama industry expands quickly. According to Omdia, the global micro‑drama market generated approximately US$11 billion in annual revenue in 2025 and is projected to reach US$14 billion by the end of 2026. Omdia estimates that more than 60 % of industry revenue comes from subscription and transactional payment models. Media Partners Asia projects China’s micro‑drama market to grow from roughly US$7.0 billion in 2024 to US$16.2 billion by 2030, while overseas markets are expected to expand from about US$1.4 billion to US$9.5 billion.
Globavend’s CEO, Sharon Tse, who was appointed in May 2026, said the company’s dual focus on logistics and digital entertainment positions it to serve a global customer base. The company’s acquisition of a 70 % stake in Loomi Entertainment earlier in May further consolidates its presence in the short‑drama segment.
Kai Man Fung, Chairman of Globavend, stated that the Imaginary platform enables premium‑quality content to be produced faster, more efficiently and at lower cost while supporting multilingual global distribution. He added that the integration of Imaginary with Loomi creates a vertically integrated ecosystem that accelerates content creation, localization and commercialization.
Globavend’s logistics arm provides cross‑border solutions across Hong Kong, Australia, New Zealand and mainland China. The company’s entertainment division focuses on generative AI‑assisted cinematic workflows, multimodal content generation and multilingual distribution. By combining AI‑powered production with proprietary streaming, Globavend aims to build an integrated digital entertainment ecosystem.
The release of Buried Innocent demonstrates the commercial viability of end‑to‑end AI content production. It also illustrates how AI technologies can reduce production costs, shorten development cycles and enable rapid localization—key drivers of growth in the micro‑drama sector.
Globavend’s move into AI‑driven entertainment follows a broader industry trend in which creators and platforms increasingly adopt generative AI to meet demand for mobile‑first premium video. The company’s strategy aligns with market expectations that AI will continue to transform production workflows and distribution models.
As of the announcement, Buried Innocent and Kopi‑Kopi are available for streaming on Loomi: Short Drama and TikTok. Globavend has not yet disclosed viewership figures or revenue performance for the new series.
The company’s dual focus on logistics and entertainment, combined with its recent acquisition of Loomi and the launch of its AI‑produced micro drama, positions Globavend to capitalize on the expanding micro‑drama market while continuing to grow its cross‑border logistics business.